Things Probably Best Not Done – But….

The Sigma 50mm f1.4 Art lens has proved a bit of a star on a Canon 5d MK2 and a 60D. I use old Oly lenses on an EPL5 via a Micro Four Thirds to EF adaptor fronted by an EF to OM adaptor (you can see where this is going) which means it’s possible to mount the Siggy on the EPL5, so it had to be done, purely for experiment’s sake.

Olympus EPL5, Sigma 50mm f1.4 Art

Good start.

The first thing to realise is that there is only one aperture available – f1.4 – there is no electronic communication between lens and camera using this adaptor, and no external aperture ring. At f1.4 this lens is sharp, so maybe there’s some potential.

The second limitation is no autofocus, but the EPL5 has a VF4 viewfinder attached which is great for manual focus using ‘focus magnify’.

The third is that this combination is somewhat out of balance, the EPL5 looking like an end cap. Still I can carry the lens with the camera hitching a ride.

Olympus EPL5, Sigma 50mm f1.4 Art

One aperture, no AF and ridiculously unbalanced – it’s got to be done!

However it is a 100mm f1.4 equivalent and the EPL5 has ‘in camera’ image stabilisation so worth a try…

Olympus EPL5, Sigma 50mm f1.4 Art

A handsome model down at the allotments. Good isolation and bokeh – this could be useful.

‘Macro’ is around 40cm, but with a 100mm equivalent on the EPL5’s small sensor you can get in quite close :-

Olympus EPL5, Sigma 50mm f1.4 Art

Good colour using the ‘i-enhance’ colour profile. If you need greater depth of field – tough – there’ only f1.4

Using ‘focus magnify’ is interesting – it’s very precise but the magnified display in the VF4 jumps around when hand held making things tricky. Maybe a tripod is called for.

Olympus EPL5, Sigma 50mm f1.4 Art

This isn’t too bad at all – if you can nail the focus.

Good for closer stuff, but how are things at further focus distances? It’s the mill again…..

Olympus EPL5, Sigma 50mm f1.4 Art

The complete frame focussed using the VF4 as best I could. At this size it looks sharp enough.

Olympus EPL5, Sigma 50mm f1.4 Art

The centre of the image.

This is odd – there’s more chromatic aberration but that’s probably down to DXO Optics 9 not doing auto correction (these images are straight conversions). Parts look sharp but others don’t – strange! As this camera and lens combo wasn’t meant to be used together it’s not too surprising. The lens adaptor may also be partly to blame as it’s not a very good one…

Olympus EPL5, Sigma 50mm f1.4 Art

Couldn’t agree more!

Is this combo useful? I certainly wouldn’t suggest buying an expensive lens like this for use on an EPL5 with no aperture control or AF – a Zuiko 50mm 1.4 with external aperture control would be better and much cheaper even if the performance at f1.4 would be inferior to this lens. If you’ve already got one though it might be useful where you need a 100mm equivalent lens at f1.4 (portraits in low light, stage photography etc).

Thanks for looking – hope you find this useful – or at least some fun!

Olympus VF4 Viewfinder Review

I’ve liked Olympus cameras for many years – from my very first ‘proper’ camera, an OM-1n through Trips, OM2s, an E400, an E620, an EPL3 and now an EPL5. The EPL5 is a great upgrade to the EPL3 but I’ve never been a fan of ‘arms length’ LCD camera operation, so it’s not quite ‘perfect’. Adding a viewfinder to the PEN EPL5 seemed like a good idea so I took the plunge and ordered a VF4 a week ago – and I’m very glad I did. This is a high resolution Electronic Viewfinder (EVF) – not an Optical Viewfinder (OVF) as you might think by looking at it from the back.

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The EPL5 PEN, kit 14-42mm lens and the shiny new VF4 – it appears bigger on this picture that it really is….

Firstly, an upgrade of the camera’s firmware from 1.1 to 1.2 was required – it just won’t work without it. This is done through the Oly ‘Viewer 2’ software and is pretty easy as long as you’re patient and leave the camera to update itself. The process takes around 5 minutes. You can check the firmware installed in your camera via the menu system.

After that’s done, just slide the viewfinder into the accessory port on the top of the camera and off you go. It’s worth pointing out that EVFs on the PENs take over the hot shoe – so no use of the supplied flash unit while it’s attached. This may be a problem to some, but as I never use flash it’s fine for me personally.

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The VF4 from the rear – the button is the EVF/LCD switch. The two blue circles are probably the eye sensor – not used on the EPL5  unfortunately.

The only controls are a button on the back – this switches between the LCD and the EVF, and an eyesight diopter adjustment on the right. If you’ve got a top of the range PEN there is an eye sensor which switches between LCD and EVF automatically, but on the EPL5 you’ll need to use this button. There is also a lock button on the lower left which secures the viewfinder – a nice touch as losing this rather expensive accessory would be a tragedy!

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The diopter correction wheel – this is quite stiff so won’t move accidentally.

It adds some bulk to the smallish EPL5 but not that much and seems nicely in proportion. To provide a bit of extra versatility it will also pivot at it’s front to allow the eyepiece to swing vertically through 90 degrees (and all positions in-between), which means you can compose landscape shots as if you were using an old Twin Lens Reflex camera, peering down into the viewfinder from above – very nice.

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The EVF in the vertical position. There’s a ‘push/click’ type catch which keeps it in place when ‘closed’ in the horizontal position.

What you see in the viewfinder is the ‘active’ central portion of the LCD – i.e. the strips of shooting information either side of the image on the LCD are either pushed into the image area or not reproduced e.g. the touch screen icon. The image is large, bright and detailed (2.3 million pixels) and doesn’t ‘smear’ when it’s moved – in fact it appears about as wide as a Canon 60d’s viewfinder but taller due to the 4/3 aspect ratio of the camera (the 60D is 3:2 so wider). It can’t quite match an Olympus OM system viewfinder, but it’s not too far off!

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The unlock button on the left side.

However the really – and I mean really – big improvement when shooting is when using manual focus lenses. To achieve critical focus the ‘focus magnify’ button is used to enlarge a portion of the image while focussing. On the LCD this is OK, but the LCD image is relatively small at arm’s length. On the EVF however it’s huge – and so much easier to get perfect focus.

It’s very like using MF lenses on a film SLR and so instantly familiar and comfortable – a real pleasure to use and a massive change in how useable the camera is. This is probably going to remain permanently attached!

So, if you’re thinking of getting one, especially if you shoot using MF lenses, I’d heartily recommend one.

Thanks for looking!