Having liked this effect on chalk downland landscapes in an earlier post last November, it was only a matter of time before another shoot. These were all taken on an Oly EPL5 with a 40-150mm Zuiko on the Wiltshire/Dorset border (southern UK) in January during a brief break in what has been truly terrible winter weather.
The ‘Dramatic Tone’ effect – if used with care – can produce some impressive images on a dull day. Winter seems to be the best time to take these as the bare trees and ploughed fields seem to suit the moody darkness of the images.
These are cropped to a square format from the 4/3 ratio of the Oly because they (and a few others) are going to be printed and framed in groups of three as a series of triptych type arrangements.
The shot above was a quick ‘grab shot’ – the lonely figure looked perfect, but only for a few seconds as he disappeared over the horizon.
Finally a nice sweeping landscape looking towards Shaftesbury – the edges of the downs are quite impressive too!
Thanks for looking – hope you like them!
Been out today in some brilliant weather – up on the chalk downland which is in full summer mode with grasses, butterflies and birds everywhere.
In an attempt to stop taking IR shots on the Sony RX100, an old favourite was attached to a Canon 60D – the Lensbaby composer with the plastic lens and (very) manually changed apertures. As I’m not really a landscape photographer, the best subjects to concentrate on were the flowers and grasses, rendered very softly with this odd lens.
In order to boost the contrast the ‘Clear’ colour profile was used in camera. Other important settings were centre weighted metering, magnified LCD focussing and RAW file output as exposures can be all over the place – display a histogram on the LCD and keep an eye on it! Unless you really like lying down and getting up a lot, the pivoting LCD screen on the 60D is very useful for this sort of subject, though it’s difficult to see in bright sunlight. It’s all a bit hit and miss to be honest.
First some buttercups, post processed to give the yellow of the flowers a reddish hue. No aperture disk so very soft – just the essentials of the subject really. A neutral density filter (x3) was needed to prevent overexposure at f2.
This was shot with the f4 aperture disk and converted to black and white in DXO filmpack to give it a harder contrast to cut into the softness and let the chalk path burn out.
Finally another at f4 (once an aperture disk is in I rarely change it). Some odd flare top right, but given the lens it doesn’t seem to matter.
Not a bad day at all – I may have picked up a slight suntan too!
Thanks for looking, hope you like them!