Unexpected Results (one minute video)

The first full day of shooting pseudo-timelapse footage for a commission is completed – and quite a weight off my mind.

Thought you might want to see some interesting results from a very good day’s shooting at Knowlton – a 12th century ruined church in the centre of a Neolithic henge. This is fifteen minutes of footage compressed to one minute and there are phenomena here which just aren’t visible to the “naked eye” in normal time.

A very foggy morning yielded some results which were better than expected. The sun flaring through the fog looked terrible on the LCD of a Canon 60D during filming but worked out well in the final edit. Shot through a Sigma 10-20mm lens at f9 (ish)

This is one minute of fifteen which make up the ‘Autumn’ segment. The one hour video will cover all four seasons so lots to do!

So – hope you like it – thanks for looking.

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Some More From the Zuiko 50mm F1.4

Been trying something simple today – just one fixed focal length lens on the Canon 60D – the lovely Zuiko 50mm f1.4. Having only one focal length really makes you work for the pictures but the results are usually better – especially when used at a wide aperture to give a narrow depth of field. All shots required a bit of post processing as the exposures and colours can be slightly off using old MF lenses – easily fixed in RAW though.

The butterflies were quite still this morning – allowing me to approach to around 50 cm.

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Without the help of the 60D’s 1/8000th of a second shutter the use of such a wide aperture on a sunny would be impossible at ISO 100 without a neutral density filter (which I always forget to carry with me).

This note tied to a branch by a ribbon is at the ‘Wish Tree’ at Knowlton (see previous posts), an evocative location at all times of the year.

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Same location for this home made pendant. The 50mm’s out of focus areas never disappoint!

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Finally in an attempt to get a ‘different’ angle on the ruined church, a shot from down the road through the roadside grasses.

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As always – taken for the book cover market – hope you like them!

A full review of the lens on this blog is here, or have a look at several Zuiko lens reviews on the “Film, Camera and Lens Review Index” tap at the top of the page if you’re interested.

Shooting Doors Part Eight

Time for few for the Legion.

First one on the modified Fuji F810 – an overgrown garden gate in a Dorset village.

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Next a church door – can’t remember where – just open wide enough to allow a bit of light in.

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Finally one on Ektar 100. The faded look seemed to suit the subject.

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All shots for the book cover market – thanks for looking and hope you like them!

Spooky Monuments Part 2

(Four Images). This is the second of a short series about very odd, some might say macabre, monuments which attract the ‘odd eye’ of a book cover photographer. The first part is here.

Poking around some old places usually yields some good results – the best shots are hardly taken in the most obvious locations or from the easiest viewpoints.

First one – taken with a Canon 60D and an ordinary kit zoom, toned in Photoshop. That eye is oddly mesmerising!

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Next a subject made for Rollei Blackbird film and a 17mm lens on an OM1N  – spooky, what more can I say?

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Next one of those gruesome 18th century monuments involving flying skulls – vignetted and converted to mono after shooting on a Canon G9.

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This final one seems to have been squeezed in by 1/2 cm – the laurel wreath is particularly odd. Extensively layered, taken on a 60D.

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All shots taken for the book market, hope you like them and thanks for looking.

Texture Layers Part Three

The last (for the time being) of the layer posts and this time it’s about even more subtle layering.

This was taken as a simple abstract but a light blue/brown helped it along nicely. Not too obvious, but then that’s the theme of the post…

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Next a Lensbaby shot which was taken on a stormy day by the coast. The post-processing added an extra boost to an otherwise so-so image.

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Finally one with a vignette, and the same image as number one layered to add something to an otherwise grey featureless sky. 00182158

Layering is a useful technique to add a bit of extra mystery and atmosphere to a shot which is graphically promising but lacks a certain ‘something’ – especially shots taken under flat skies. Give it a try using the hundreds of free layer/texture images on the web, or even better, shoot or create your own.

All shots taken for the book market, hope you like them and thanks for looking.

Texture Layers Part Two

Following on from part one of this layers series, this on is dedicated to a more subtle (but not too subtle!) use of texture layers in post processing.

This first layer is almost like one of those odd Hoya filters from the 1980’s with a strong colour bias to one side. Combined  with a Lensbaby Sweet 35 at max aperture it makes a nice combination!

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Next a shot of the same tower as the first post – but the rain and condensation in the inside of a car window added to the fogged effect. This was one of only a few shots from a wet and cold day which was worth the effort.

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And finally a narrow alley with a ‘daguerreotype’ layer added – that bricked up window makes the shot. Converging lines again….00178893

All shots taken for the book market, hope you like them and thanks for looking.’

Shooting Militaria Part Three

Post three about an epic weekend shoot of a car boot full of military objects. The opportunity to shoot so many graphic subjects took two days and was a real test as they all had to be back within 48 hours.

First, a communist era Red Star cap badge between two converging shadows.

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Next a Royal Air Force cap badge – strange how the stitching in the wings looks more ‘feather like’ in close up.

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Finally a real challenge – how do you take a photo of a (deactivated!) WW2 hand grenade? This was my best effort but I wasn’t really happy with the result. A layer might have helped.

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All shots taken for the book market, hope you like them.