For a short while I’ve managed to wrench the excellent Zuiko 50mm f1.4 from the Sony to see how well my old favourite lens performs. I’ve found this to be a very good lens on other cameras so I’ve high hopes!
Salisbury Cathedral from the ‘classic’ viewpoint. Looks good so far.
The lens is slightly longer than the 50mm f1.4 but still extremely compact. The aperture range is f2 to f16, minimum focus is around 30cm (or one foot) and the filter size is a standard (and cheap) 49mm.
It’s nicely balanced on the Sony, just like the 50mm. Focussing is slightly more difficult that the 50mm, presumably because of increased depth of field, but the ‘focus magnify’ button is your friend here and usually gets the job done. Operating the combo of camera and lens feels fast and easy.
Surprisingly I’m finding that manually focussing is producing much sharper results than autofocus systems on other cameras. Here’s an article on how phase detect autofocus works http://www.lensrentals.com/blog/2010/07/how-autofocus-often-works, and having seen how shallow the ‘really in focus bit’ is using focus magnify I can understand why. No anti-alias filter helps the sharpness a lot, but really shows when you’ve got the focus wrong.
It seems working slowly and deliberately is required to get the best from 36 Mp of resolution as some slightly mis-focussed shots have illustrated! It goes without saying that the depth of field scale on the lens and the focus peaking feature on the A7R aren’t to be trusted for best results.
Colours and contrast are good, though there is some vignetting at f2 as you would expect. There’s no image stabilisation with this combo so 1/60th is the absolute minimum hand held shutter speed for me – anything slower use a tripod or a monopod.
Flare isn’t as well controlled as modern lenses, but it’s not too bad – there’s a hint of it around the windows in the above shot.
Bokeh isn’t a feature usually associated with wide angle lenses due to the deep depth of field, but f2 is pretty fast and you can create some nice out of focus effects at close focus distances.
Right then, the standard test :-
In conclusion then, a well behaved lens capable of very good results at smaller apertures, and fast enough to allow shooting in lower light if you’re prepared to accept softer images. Is it making the most of the 36Mp sensor? Not really, especially at the edge, so if you’re a very demanding photographer it might be best to look elsewhere. It is however more than capable for all but the largest enlargements and with it’s compact dimensions, a perfect physical match to the A7R.
The very best part of using these lenses is that I now sometimes leave the camera bag behind altogether, carrying the 28mm and a 135mm lens in each jacket pocket, and the 50mm on the A7R. To be able to do this and get files which exceed my agency’s image requirements is nothing short of fantastic!
Unless someone comes up with a reasonably priced, compact and outstandingly good 28mm I’ll stick with this as it’s more than good enough for my purposes.
Thanks for looking, hope you find this useful. A similar test of the 50mm f1.4 is here.
If you’re interested in using other MF lenses have a look at the other reviews on the film, camera and lens review index tab.