A Few Abstract Landscapes

The chalk downland between Dorset and Wiltshire is a superb location for photography. The gently rolling ploughed fields produce some hypnotic patterns which are the subject of this weeks post (well most of it). All shot on an Oly EpL5 using the basic 40-150 f4-5.6 kit lens which is excellent given it’s price and light weight and pretty sharp one stop down from it’s modest maximum aperture.

EPL5 40-150 f4-5.6 Wiltshire Dorset dramatic tone zuiko

To get that ‘flattened perspective’ the long end of the telephoto zoom range is needed – not normally considered a landscape focal length, but as some readers may have noticed, on this blog it’s all about breaking those classical photographic rules to achieve a ‘different’ result (or maybe just being contrary)…

Olympus EPL5 40-150 f4-5.6 Wiltshire Dorset dramatic tone zuiko

To further enhance the abstract effect, monochrome has been used, and to maximise contrast the Oly’s ‘Dramatic Tone’ and some heavy post processing has been ‘inflicted’ on these images.

Olympus EPL5 40-150 f4-5.6 Wiltshire Dorset zuiko

The jpeg’s straight out of the camera are already heavily stretched across a broad tonal range, so they’re quite ‘brittle’ during post processing. The worst side effect is a tendency to see heavy banding in the sky so careful exposure is required (it’s just visible in the shot above).  This is usually only seen in clear blue skies, but with a 300mm equivalent lens to play with (150mm on micro four thirds), just cheat and don’t include too much sky…

Olympus EPL5 40-150 f4-5.6 Wiltshire Dorset dramatic tone zuiko

These lines of trees have yielded some good images in autumn – looks like they’re also quite photogenic in winter too.

Olympus EPL5 40-150 f4-5.6 Wiltshire Dorset dramatic tone zuiko

Next one of those odd ones which I quite like but I’m not sure why. The two trees frame the distant view,  and the dramatic tone effect has given a lightening effect around the trunks. The bokeh produced by the little 40-150mm Zuiko is quite good too!

Finally – one not in the slightest way connected with abstract landscapes but I thought I’d throw it in anyway just for fun :-

OLYMPUS DIGITAL CAMERA

This looks like a grad filter effect but it’s a result of that dramatic tone doing odd – but very good – things….

Thanks for looking – hope you like them.

 

p.s. if you like this effect, have a look at this WordPress photo blog (he’s rather taken with ‘Dramatic Tone’ too!) – Postcard Cafe.

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Spring is here…

Which must mean it’s time for messing around with some infrareds on a warm sunny day….

Sony RX100 Infrared R72 filter

Everything still works as it should! Black skies and water, white vegetation and clouds.

It’s good to see the IR effect again after a long wet winter. Fresh foliage seems to reflect more IR wavelength light than older grass and leaves so the ‘Wood Effect‘ is especially pronounced.

Sony RX100 Infrared R72 filter

Here’s the setup – an RX100 with R72 filter held on a Lensmate filter attachment. A much better arrangement than just holding the filter over the lens, this little gadget is very useful. The AG-R1 grip is also attached and transforms the RX100’s handling (get one!).

All shot at the ’28mm’ focal length (really 10.4mm) at f2, ISO 800 with a +1 stop exposure compensation to allow hand held speeds of between 1/30th of a second and 1/8th of a second. These were processed in DXO Optics Pro 9 using the ‘Dense’ black and white conversion – straight from the camera they have a very intense magenta hue. A slight ‘diffuse glow’ was added in Photoshop to give it that old Kodak IR film look.

Sony RX100 Infrared R72 filter

A bit more abstract here – fresh growth in a pond with some clouds reflected.

Sony RX100 Infrared R72 filter

Same bridge – but from the other side.

Sony RX100 Infrared R72 filter

More of a traditional landscape really – the vegetation at the lower right seems to be ‘reaching into’ the frame.

Not a bad result for some gentle messing about – more a practice for later in the year.

Hope you like them, thanks for looking!

 

Kodak No 2 Folding Autographic Gets a Digital Back!

Well, almost. You could think of this as a Kodak Brownie (£5) with a tiny digital back, or an Olympus Pen with a cheap Lensbaby. Either way, shooting with a 100-year-old lens on a modern digital body was always going to be a bit of fun on a wet Sunday afternoon….

Quite a promising start in flat overcast light.The low contrast has been boosted just a little in these shots as they really were flat. This experiment is really pushing a cheap mass-produced lens – the Micro Four thirds sensor is tiny by comparison with the area of medium format film so we’re in effect ‘pixel peeping’ this lenses abilities.

The Kodak was a real success at the beginning of the last century – 1/2 million made. A real ‘camera for the masses’, most prints were probably small contact prints from the medium format rollfilm.

Here’s the lens and shutter. We’re not going to worry about the shutter – just put it in ‘T’ mode (one click opens the shutter, the other closes it when you’re finished several hours later). The aperture has been left wide open – I’ve got enough difficulties focussing this thing already thanks.

If you’d like to know what all these interesting looking controls are look here.

The focus mechanism is a rack type arrangement with bellows between the film and the lens. It’s very hard to move smoothly, even after oiling, but just about useable.

_DSC1700_DxOs

Here’s the sophisticated mounting system – the back comes off the Kodak to load film, leaving a hole just about the size of an EPL5. The writing on the Kodak body is notification of all of their patents in Great Britain, Canada and Australia – 1909 to 1919. This was taken with the much more sensible RX100.

There’s no point in worrying about lens alignment – the lens is already ‘out of true’ on the bellows, and I’m not even sure the EPL5’s sensor is in the middle of the image cast by the lens anyway. The focal length? My guess is around a 4/3 100mm equivalent and the effective aperture is going to be tiny. Just like using a Lensbaby, aperture priority with centre weighted metering is best (‘best’ here is a relative term!).

Bulbs overwintering in a tray – no harsh areas of lighting so quite good all things considered. ‘Quite good’ in this context means we can see what this is…

The soft ethereal light is partly the drizzle, but mainly the tendency of this very old lens to flare at the slightest opportunity. I really like this effect. The colours are surprisingly good – this camera predates colour film (the Kodak, not the Oly obviously)!

Focus not nailed here (at least I don’t think so!), but what a good rendering of the out of focus windows.

A nicely misty/flared shot of mistletoe on a bare tree. This could be useful with some post processing…

In the interest of true experimentation, a ‘Dramatic Tone’ just for good luck. I’m sure this is a world first with this combination!

What to make of all this?

Is it useful? Er, not really, but it’s a cheap alternative to a Lensbaby if you don’t mind the baffling degree of messing about with the focussing rack. It does show that you can create an image – albeit a rather fuzzy one – using some very old kit indeed.

It was however the most photographic fun I’ve had for a while, and just like the early days of using film, I’m just pleased to get any result at all. I’d really like to have another crack at this on a brighter day…. I’ll post the results when I get round to it.

Hope you like them, thanks for looking!