Combining various obscure photographic techniques is irresistible – at least to me. So apologies in advance.
What happens if you shoot infrared hand-held with an IR R72 filter through a Lensbaby Sweet 35 using Olys ‘Dramatic Tone’ filter? I had no idea until today.. The 35mm focal length is a fixed 70mm equivalent on micro four thirds, so a bit restrictive, but let’s see what we can do. The Lensbaby has a problem resolving detail at the edge of the frame – how bad is it ‘in the field’ on small micro four thirds sensor? There are loads of ‘fields’ near where I live, so lets give it a go – walking into ‘a field’ as I do so. MTF charts are unavailable due to a technical fault.
Here’s the kit – an EPL5, a micro 4/3 mount converter, a Sweet 35 Lensbaby, a 49mm to 58mm thread converter and a Hoya 58mm R72 filter. I’d hoped to fit in some macro extension tubes but time didn’t allow. To add a little colour, DXO filmpack was used to tone the monochrome images (we’re a long way from photo realism already)….
This isn’t the easiest combo to focus – ISO needs to be around 8000 to hand hold a shot in spring sunshine (the R72 filter is pretty much opaque), so the focus magnify button is essential to find something like a sharp image. To add to the excitement (why do I do this?) the ‘wide open’ sharpness of the Lensbaby makes sharpness a relative term. The Lensbaby people must do something about this…
Onto the results…
A bit too grainy possibly – ISO 8000 should be free of noise in a modern camera surely. I well remember using Kodak IR 8000 film ten years ago and it was nowhere as grainy as this. Digital is obviously rubbish. The IR effect is showing, but the ‘Dramatic Tone’ element isn’t too visible. That black dot is a bird by the way rather than ‘dust on the sensor’. Why don’t Lensbaby make a zoom pinhole attachment by the way?
This is better – even something in focus. The blurred areas are – well – very blurred and rather good. The grass on the right is bright (as it should be), and the new foliage on the willow tree is nicely bright too. Why is this less grainy – I have no idea!
More grain again – but this time it seems to suit the subject. Well maybe….
Finally the Mill, used in the past as a test target for previous lens tests. The lovely Lensbaby out of focus areas have produced an abstract, almost ‘painted’ blurry result. Assuming most painters like blur of course, which is an unproven hypothesis in my experience.
Thanks for looking, enjoy Spring (in the Northern Hemisphere) and have a good April 1st!
Once again you have made some really interesting images. I like how you have combined a number of effects (which I’m sure will have many photographers screaming “Noooo!”). I on the other hand enjoy how you plough your own photographic furrow. Great stuff! I hope you have time to share some more with this combination. Thanks for sharing 🙂 Best wishes, PC
Thanks Postcard Cafe – these were so odd I’d saved them for April 1st…
Odd but brilliant! I’m sure you’ll find another crazy combination of gadgets to attach to the front of your camera and I’ll look forward to seeing what you come up with next 🙂
Oh yeah………..love the way you think.
Thanks KC – good to know odd ideas are still appreciated!
Man, your photos make me feel like at the beginning of some really catchy story. They are not odd at all, they are brilliant!
Thanks Jay – I’ve been shooting for the book cover market for years and it’s a bit of a difficult habit to break…
As a painter and a photographer I definitely like blur. : )
Love that last one especially but these are all superb. Wonderful!