Here are a few stills from Autumn so far – not that many but there you go.
Though it looks pleasant this was taken last Saturday before the storm which swept in on Sunday/Monday morning and it was pretty windy. The cliffs are Ballard Down and Old Harry Rocks. Canon 60D, 70-300mm, processed from RAW in DXO Optics 9 (which is superb by the way!).
Postbox Dorset Ballard Down Old Harry Rocks
Here’s the RNLI Lifeboat making headway against some heavy seas – a small enlargement from the centre of the frame, taken from the cliffs at Durleston.
Next a quieter day – but some nice colours through a Zuiko 50mm f1.4 on the 60D. I say the 60D, but there are now two in the camera bag. As the 70D has come out the 60D is really cheap – at least by comparison to it’s price three years ago. I really like this camera’s balance and features, so rather than upgrade, I just got another one. With results this good it seemed like a good idea.
Canon 60D 50mm f1.4 Autumn Bench
Finally a bit of an odd one and I’m not sure if I really like it or not – a Dorset cottage path with some fallen apples. Zuiko 50mm f1.4 again – this is rather an addictive lens…
Canon 60D 50mm f1.4 Cottage Autumn
So, a vague Autumn theme. The next post should have something a bit more coherent!
In the meanwhile thanks for looking, hope you like them.
The first full day of shooting pseudo-timelapse footage for a commission is completed – and quite a weight off my mind.
Thought you might want to see some interesting results from a very good day’s shooting at Knowlton – a 12th century ruined church in the centre of a Neolithic henge. This is fifteen minutes of footage compressed to one minute and there are phenomena here which just aren’t visible to the “naked eye” in normal time.
A very foggy morning yielded some results which were better than expected. The sun flaring through the fog looked terrible on the LCD of a Canon 60D during filming but worked out well in the final edit. Shot through a Sigma 10-20mm lens at f9 (ish)
This is one minute of fifteen which make up the ‘Autumn’ segment. The one hour video will cover all four seasons so lots to do!
So – hope you like it – thanks for looking.
Experimenting with Lensbabys, old MF lenses , layers/PP, infrared etc is one of the best aspects of photography – straightforward clean, sharp images can be a bit dull sometimes. However this experiment plumbs new depths of oddity – infrared with a lensbaby…. I’d discussed this with friends some time ago as a possibility but they just shook their heads!
The best image of the set – focusing the Lensbaby with an R72 attached is difficult but possible in bright sunlight.
Anyway, here are the initial results – and they’re not too bad, i.e. pleasingly weird. The “Lensbaby effect” is more immediately obvious that the “infrared look” as in order to take these the maximum aperture of the Sweet 35 was required giving the strongest edge blur.
All shots taken on a Canon 60D, Sweet 35 wide open (F2 I think?), Hoya R72 infrared filter, ISO 5000. post processed in DXO Optics 8 (my new favourite new PP program). There were hand held at slow shutter speeds but any camera shake is lost in the general blur anyway. Aggressive noise reduction can be used to get rid of the high ISO noise as – again – there is no real detail to lose!
Finally the most extreme of the lot. Your eye has to search the image before it realises what’s going on – so I’m pleased with it!
So not something for everyday use, but an intriguing technique which could produce strong images. If you’ve a Lensbaby and an IR filter give it a go. Next step is trying the plastic lens – wonder how it will handle infra red?
Thanks for looking – hope you like them!