Infrared on Portland (Dorset)

A few infrareds from a great day in Weymouth and Portland in superb sunny weather. All taken on using the Sony RX100 and R72 filter, post processed in DXO to tweak the contrast.

This cemetery has some of the best monuments in the area – and a great subject for IR against a clear blue sky with some high cloud to give some texture. These are two of the most impressive.

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This is the first statue complete with broken wing from the rear – the bright dot in the sky is flare from the lens. The RX100 produces some very complex flare (see later article).

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Finally a closer view of another monument. This camera produces very high IR quality images. better than my old IR digital camera, a Fuji F810.

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Thanks for looking – hope you like them!

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The Best of the Last Few Days

Four images here – all taken on the chalk downland where I’ve been doing a lot of walking lately. All taken with a Plastic Lensbaby on a Canon 60D in very nice weather.

Focussing on the LCD using ‘focus magnify’ is pretty much essential with these lenses – the viewfinder is more or less useless for nailing perfect focus.  This is mainly because the zone of focus for the plastic is very vague with no aperture disk installed. The 1/8000th of a second shutter speed of the 80D is very useful at max aperture in bright sunlight.

This first one really shows off why I really like the plastic lens and make images taken with it unlike any others.

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Next a more conventional ‘soft’ image of some railings – pretty simple but good nonetheless.

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Third one is door metalwork on a medieval church door – that tone as it blurs to darkness is lovely.

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Finally one featuring some grasses with a distant house adding something to the image – just blurred enough to be recognisable, not sharp enough to be to obvious – perfect!

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Hope you like them – all shot for the book cover market. Thanks for looking.

Another Good Day for Infrared…

Been up on the chalk downland again – and wide open spaces in the sunshine have to mean one thing, Infrared.  All hand-held using the Sony RX100 + R72 filter and heavily post-processsing in Photoshop and DXO.

The conditions were perfect – light broken cloud and strong sunshine which means some texture in the sky an a strong infrared response.

This is the remains of an old field boundary – these thorn bushes are all that’s left in an otherwise empty landscape.

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This road is beautifully straight. running along a long shallow valley. I did a few of this as the contrast between the tarmac and the ir-reflecting vegetation was very strong.

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Slightly different post-processing on this one to allow the whites of the grass to burn out a little – usually a sin but worked out well for this one.

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Finally one in a favoutite location, where the clear chalk stream turns a bend, and a line of poplar trees makes a nice background.

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Thanks for looking – hope you like them!

Latest Roll of Adox CMS20

Too much messing around with digital lately – time to return to film. This set is from the last roll for Adox CMS20 – shot at 12 ASA it’s perfect for brighter days where you want to achieve a shallow depth of field.

All shots on an Olympus OM2N – mainly as it has a 12 ASA ISO setting which makes things easy… Developed in the recommended Adotech II developer for a bit less than the recommended time (8 mins rather than 8.5 mins), Ilford stop bath for 30 seconds then the rather unnerving 45 seconds in Ilford fixer.

This first one is slightly blue toned, shot on the Zuiko 50mm f1.4 at f4 – just enough to give a nice blur to the bridge in the background.

Next – the remaining river bank supports left standing after the winter floods. Maybe a bit more contrast ?

Finally a real surprise – the lighting in this unspotted scan is really odd – as if there was a light source shining on the gate. I suppose it was light reflecting from the gravel path but I’m not complaining!

As usual, the grain is almost invisible even at maximum magnification – easily out classing a Plustek 7500 film scanner. Excellent stuff!

All shots for the book cover market – thanks for looking and hope you like them!

Some More from the Plastic Lensbaby (and a few infrareds)

It’s been an odd week this week – been organising print sales through a local art gallery, so there’s not been much time for taking photos. These are a few from the limited opportunities where time and the weather allowed, using the plastic lens/Lensbaby Composer on a Canon 60D (my current favourite combo). The infrareds are taken on a Sony RX100.

The poppies are out in Dorset – having driven and walked around to find some, this was growing next to the car park!

This one’s a bit of an abstract – no aperture disk for this (so at f2) and long grasses blowing on the downland, post-processed and toned. The flowing blur near the horizon was unexpected…

This one (continuing the floral/grasses theme) has some nice depth even if it’s an odd composition. F4 aperture disk, post processed and toned in DXO Filmpack.

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And now for the inevitable infra reds – this one is Horton Tower. It looks spooky but it was built in the 18th century so the local landowner could keep an eye on the progress of the fox hunts around the landscape after he became to old to ride with them.

And finally a barbed wire/aged fence post. I think the RX100 is just going to be used for infrared at this rate!

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Thanks for looking – hope you like them, and have a good weekend!

Something a Bit Different

For me anyway…. The Wimborne Folk Festival (Dorset, UK) has been on this weekend and I’ve been wandering with a canon 60D and an EF 70-300mm lens trying to get a flavour of the event, which can be distinctly eccentric – and very enjoyable….

This isn’t my normal choice of subject so this is as close to street photography as I’ll probably ever get!

This one took some serious post processing due to the low contrast of the phone LCD. A few layers and lots of messing around seemed to do the trick.

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There’s a range of troupe (oops – ‘side’) outfits varying from bright summer colours, through lightly decorated whites to very dark rags, so lots of variety. The light and dark outfits can make a real mess of the exposure on a bright day so there’s lots of exposure compensation required.

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And some performers are, well, I’ll let you decide (the one on the right is a proper Police Community Support Officer by the way)….

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There are lots of stages set up, but the main problem is trying to get a clean background. This set was quite good but a really fast telephoto would have blurred away the background even better.

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There are loads of shops selling everything imaginable really – this one’s name caught my eye…

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One from last year on Rollei Blackbird on an Olympus OM2N and a Zuiko 85mm f2 lens. This one might well be my favourite.

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It was good to try a some subject matter – not a single infrared or Lensbaby shot was taken!

All good fun and not very serious – thanks for looking, hope you like them.

English Downland and a Lensbaby Plastic Lens

Been out today in some brilliant weather – up on the chalk downland which is in full summer mode with grasses, butterflies and birds everywhere.

In an attempt to stop taking IR shots on the Sony RX100, an old favourite was attached to a Canon 60D – the Lensbaby composer with the plastic lens and (very) manually changed apertures. As I’m not really a landscape photographer, the best subjects to concentrate on were the flowers and grasses, rendered very softly with this odd lens.

In order to boost the contrast the ‘Clear’ colour profile was used in camera. Other important settings were centre weighted metering, magnified LCD focussing and RAW file output as exposures can be all over the place – display a histogram on the LCD and keep an eye on it! Unless you really like lying down and getting up a lot, the pivoting LCD screen on the 60D is very useful for this sort of subject, though it’s difficult to see in bright sunlight. It’s all a bit hit and miss to be honest.

First some buttercups, post processed to give the yellow of the flowers a reddish hue. No aperture disk so very soft – just the essentials of the subject really. A neutral density filter (x3) was needed to prevent overexposure at f2.

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This was shot with the f4 aperture disk and converted to black and white in DXO filmpack to give it a harder contrast to cut into the softness and let the chalk path burn out.

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Finally another at f4 (once an aperture disk is in I rarely change it). Some odd flare top right, but given the lens it doesn’t seem to matter.

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Not a bad day at all – I may have picked up a slight suntan too!

Thanks for looking, hope you like them!