Here’s a few with a general theme of ‘silhouette’ – often the only graphically strong option on a day with flat lighting. There’s usually enough contrast between trees, railings etc and an overcast sky to provide a good image – even if it sometimes takes a boost in contrast to really bring the best from the shot.
First one – a grab shot on a 60D with a telephoto zoom. The crow was flying into the shot and turned up right on cue in the viewfinder.
Next a simple abstract of a church lantern and some bare trees.
This flock of starlings good enough to stop the car for (I was on the way to shoot so had all the kit ready). The contrast was increased using a DXO Filmpack ‘ortho’ film setting.
OK – this is more of a shadow than a silhouette, but it’s sort of in the right post. Lightly textured in photoshop.
All shots taken for the book market, hope you like them and thanks for looking.
After sorting out some problems with a very unwell PC, this one comes from the new one – which is working well – at least so far.
These were all taken on the latest roll of Adox CHS20, developed in the recommended Adotech developer at 12 ASA in an OM2N with various Zuiko lenses. The extremely slow speed of this film allows the use of fast primes wide open even in quite bright conditions – and it would be a shame to waste such an opportunity!
The range of tones captured in the flaking paint is wonderful – they’re green ‘in colour’.
A gate and the opportunity using the 85mm f2 to blur the background away.
Same gate – different angle .
Finally some rather odd bokeh from the Zuiko 50mm f1.4. It keeps surprising even after 20+ years.
The next roll will be developed in Rodinal – if anything results I’ll let you know!
Thanks for looking – hope you like them.
Having tested loads of old manual focus lenses on a Canon 60D, this post is about using them for a practical, commercial purpose (rather than just mucking about with them!).
This set was shot for a specific request from the agency for images of a typewriter, booze and a cigarette – I suppose in a sort of vintage Hemmingway style. The typewriter was bought two years ago in a second-hand shop because, well, I couldn’t resist it for £10 (did I mention I’m a terrible junk buyer), and it finally came in useful! The ‘scotch’ is unfortunately only cold tea….
All taken on a Canon 60D with various manual focus lenses, then given different treatments in DXO Filmpack.
First one – on a Meyer Optik Gorlitz Primotar E 50mm f3.5 (tested here) with an M42 to EF adaptor. The softness wide open seemed to compliment the subject.
Second – on a Zuiko 50mm f1.4 (used previously here) – that narrow depth of field blurred away the otherwise modern looking kitchen.
And finally, two shots with one of my favourites – the Helios Jupiter 85mm f2 (tested here), stopped down slightly to give just a hint of the scotch and cigarettes in the background.
So – they do have a practical use after all, especially for shooting ‘vintage’ look shots. DXO Filmpack added to the images by giving them a final ‘film’ tweak.
Hope you like them and thanks for looking.
After doing some posts on various Ilford, Adox and Fuji films I realised I hadn’t done one on the film I use most, Agfaphoto APX100. This is an excellent general purpose film, reasonably priced, fine grained with very good contrast control. Although other films may be better in any single aspect, this emulsion strikes just the right balance for me.
These first few were all taken on a dull, wet day to add to the challenge, using an Olympus Om1N and a 50mm f1.4 lens.
Although the negs were fairly low in contrast it’s always easy to add some in post-processing. If they’re very contrasty to start with you’re stuck with it! I liked the vintage feel to the next shot – could have been taken 60 years ago.
Same with this one…
The curved distortion of the 50mm F1.4 wide open (lower part of the frame) is quite noticable here – I quite like it, but others won’t. It’s gone at F2.
Finally one which made it to the agency – a bandstand shot through a dirty shelter window.
At about £3 for a 35mm/36 exp roll in the UK (less if bulk bought) it’s a recommended choice for an ‘everyday’ B/W film. While it doesn’t have any strong characteristics – such as Rollei Blackbird or Ilford Pan F+ – it’s a consistently well behaved film with a great range of midtones providing loads of scope for post-processing to get a desired final result.
Thanks for looking – hope you find this useful.
(Five images) Well, you can’t have too many! This set is all taken in the typical ‘IR genre’ – graveyards and their monuments. All taken on a converted Fuji F810 and R72 filter.
First – an impressive angel in a rural church. The form of the wings makes the shot.
Next – layered to add to the effect, and the figure on the pillar gives it a vaguely ‘roman’ look. The hexagonal flare is quite nice too.
Different angel – similar effect. Unfortunately one of the wings has been broken off or vandalised.
This was very odd – a nautical monument miles inland. An odd place to find an anchor.
Finally a favourite location – an overgrown graveyard with some very grand monuments. IR helps distinguish the metalwork from the undergrowth.
Right – not that many IR’s left – thank goodness. Summer is coming, and it’ll soon be IR season for 4 months so get ready!
Hope you like them and thanks for looking!
(Five images). This time in better lighting conditions! The previous shots were all taken on overcast days, so a bright weekend and a few hours by the coast was the obvious excuse to burn off another roll. These are all straight off the scanner using the Agfa APX100 film profile, which after some messing around seems the best one. All the shots are from one roll, shot at box speed using an Olympus OM2N and developed in Ilford ID11 stock.
First one and a dynamic range challenge which the film has coped with very nicely. Zuiko 28mm lens.
This larger portrait oriented shot shows how little grain there is and how well this film/developer combination works. Zuiko 85mm lens.
This is the best of the lot – shot on a Vivitar 17mm lens, the range of tones for a bright day is impressive.
Next – a ‘torture test’ – deep shadow and bright sky, but excellent result again.
This was a bit out of the DR range of any film or non-HDR digital image – the sky a few stops past rendering any detail, but the rest is fine.
The bright light shots from this film confirm the claims Adox make – the extra silver content seems to be making a real difference. I’m really impressed – and now need some more rolls….
The seaside shots at Kimmeridge Bay, and the church is in Kingston nearby in case anyone’s interested (Dorset UK).
Thanks for looking – hope you find this useful!
(Three Images). A few weeks ago, my last roll of Adox CHS ART film was shot and developed – an ‘old school’ film made in the same way it was 60 years ago and despite a few irritations, was a bit of a special film. The Efke factory (where it was made for Adox) was closed last year, so shooting the last roll was a sad day – I used to use a lot of Efke film.
The CHS range (25, 50 and 100 ASA) had a fine grain and an unusual response to colour which gave the results a special ‘vintage’ look. The example below has been lightly layered to enhance the effect. Everything developed in Rodinal 1+50, and shot on either an OM1N or an OM2n with a variety of lenses.
The range of tones captured is impressive due to the high silver content though they may seem rather low contrast to digital photographers. A characteristic darker appearance of blue skies can be seen in the example below.
Its weakness is its soft emulsion which produced some very dusty negatives when compared to modern films. It also needed more care than usual during development – especially with regards to temperature. Above 20 degrees centigrade, the emulsion becomes very soft, and at 25 degrees will separate from the backing! Still, the vintage look was worth the dust cloning required – in the example below there are still a few dust spots in the sky above the church tower.
All is not lost though – Adox are developing a 100 ASA replacement, made in Germany and available in 35mm (36 exposure and 100 ft rolls), 120 and every variety of sheet film size – see here.
I’m really looking forward to trying it – I just hope we don’t have to wait too long!
Hope you find this useful, and thanks for looking.