It’s not often a new film comes along these days, so when one does it’s almost impossible to resist trying it – so, here are some of the results from my first roll. There has been no post-processing on these images other than resizing, so they look a little more ‘raw’ than the images I usually post.
It’s been snowing in Dorset (as you can see!) so the conditions for a test aren’t exactly bright. However there are lots of subtle graduations in the snow which some films struggle with. I’ll do another test in brighter conditions, but until then this is what we’ve got.
Adox lost their monochrome CHS ART film lines after the closure of their supplier’s Croatian factory, and ‘Silvermax’ is the replacement film, manufactured in Germany. Adox claim it has a higher silver content than ‘regular’ film resulting in greater dynamic range.
Initial impressions are that it’s a quality film, light grey in colour, rather like APX100. The 35mm cassette feels well made with a substantial felt light trap and a hefty weight. The film, maybe because it’s thin and quite stiff, winds smoothly onto a plastic film spiral for development.
This film was developed in Rodinal 1+50, rather than the specific developer Adox supplies. There are development times for most common developers here on the Adox website. All shots scanned on a Plustek 7500 and taken on an Olympus OM2N with exposure compensation as required.
Below is a small section enlarged from the right side hanging branches.
The grain is moderate for a 100 ASA film – no surprises either way really.
The dynamic range under these limited conditions was very good, the film picking up a good range of midtones. Quite a bit better than AGFAPhoto APX 100 (which is my favourite general purpose film), and handling the range from deep black to white so well that the scanner just needed to do a straight scan with no adjustments or pre-canned film profile which is very impressive!
Initial impressions are very good. I think the dedicated developer might be worth a try rather than Rodinal, which has maximised edge sharpness but hasn’t done much for the grain. However many photographers only use Rodinal so it’s been a useful test.
So – next step is a roll under brighter conditions – blue skies, sunshine etc. I may need to wait a while for the weather before it’s done though!
Thanks for looking and I hope you find this useful.
Click here to see my second impressions, this time developed in ID11/D76.
p.s. I have no connection with Adox in any way – other than buying some of their film of course….