I was never really interested in funfairs or carnivals until I read ‘Something Wicked This Way Comes‘ by Ray Bradbury – which made all the difference. Now they seemed a bit more dark, mysterious and intriguing rather than just a noisy place to eat burgers, chips and candy floss.
Anyway, on with the pics – a shot of the artwork on a modern ride with split frame to show the grass underneath and not make it a ‘straight shot’ of the artwork. Rollei Blackbird film in an Olympus OM1.
Another bit of artwork from one of the ‘horror’ type rides, rendered nicely dark by Rollei Blackbird again.
More funfair artwork but less horror this time! This is an odd composition, and I’m not sure if I like it or not. Agfa APX100 film for this one.
This was an empty children’s ride – only a small child could get into these seats, they’re that small. I must have been in a ‘leave the bottom half of the frame empty’ mood judging by this and the first one. Good ‘copy space’ is always an excuse if you’re a book cover photographer! APX100 film again.
More Rollei Blackbird and a narrow depth of field of this empty ride. without the blue tone it doesn’t work s well for some reason.
A subject I’m always trying to get that ‘killer shot’ of horse carousels. They’re fickle subjects though – you think you’ve got the shot on the day but they’re never as good in Photoshop. There is something scary about those horse faces. APX100 again.
Finally – a digital one. Close up of some traditional funfair decoration – though not very mysterious!
For ‘film people’ interested in such things, the Rollei Blackbird shots were developed in ID11 stock, the APX100 in Rodinal 1+50.
As always these are taken for the book cover market, and all comments, critiques and questions are welcome.